March 4, 2018

2018 Oscar Predictions

It's been a bad year. Not necessarily movies-wise, but my ability to watch them all. It seems like every year gets harder. This, in turn, makes my predictions a lot less reliable and more March Madness-ish, where I choose based on uniform colors or something.

I will fully admit, I purposely skipped a few of these. One of them being The Disaster Artist. The other being Get Out. I trust the friends of mine who have seen it and loved it, but considering I still jump out of my skin when the Hans pop out of the snow after the avalanche in Mulan, I don't think I'm equipped to watch even a mock horror movie. I am rooting for it, though, knowing how much it meant to people and what it represents for the future of movie making.

So after I log these picks, I can just sit back, relax, and hope Jimmy Kimmel doesn't make racist Asian jokes again this year.

Best Picture predicted winner: The Shape of Water



  • Call Me By Your Name: This will have a much better shot in the screenplay category. I have a feeling voters are going to do the whole "we did this last year" thing and vote for something else.
  • Darkest Hour: Let's be honest. This wasn't going to win anyway. I'm ok with having missed it. 
  • Dunkirk: Because we couldn't possibly go one year without a WWII movie *eyeroll*
  • Get Out: Judging from those "anonymous Hollywood ballots," voters didn't "get" this movie. Or didn't try to. Or didn't care to. But it all adds up to no win.
  • Lady Bird: This was my favorite of the year, but I have a feeling voters are going to feel like the life of a teenage girl isn't "deep" enough to win top honors.
  • Phantom Thread: Ugh. Quintessential Oscar movie the vast majority of people wouldn't even like.
  • The Post: Intention is important, sure, but so is execution. And the execution of this movie left a lot to be desired.
  • The Shape of Water: I enjoyed it, but it was certainly weird. But I think it represents a "safe" middle ground for voters between the far-flung artsy and the outright political.

Best Actor predicted winner: Timothée Chalamet



I actually think this is one of the tougher categories to pick, with breakout star Timothée Chalamet up against Daniel Day Lewis' proclaimed "last performance." Will he (or Daniel Kaluuya) prevail when the Academy tends to reward "lifetime achievement" instead of actual individual performances? Not to say Day Lewis wasn't excellent. He was. But was he the best of the year?

  • Timothée Chalamet, Call Me By Your Name: I think the new shininess of his performance and the buzz this movie generated will be enough to get him the win. At least I hope so.
  • Daniel Kaluuya, Get Out: I wish I had more to weigh in on this.
  • Gary Oldman, Darkest Hour: I don't feel sorry I don't have to weigh in on a rosy Winston Churchill performance.
  • Denzel Washington, Roman J. Israel, Esq: Nice to see a deviation from the usual parts Denzel plays, but I don't think it's enough to get him the win.


Best Actress predicted winner: Frances McDormand



I actually think this is the most hotly contested race this year, with excellent performances from everyone (except Meryl, who basically is just a permanent fixture here whether she deserves it or not, *cough cough* Iron Lady). However, I think age, opportunity, and subject matter all factor in for voters (which it shouldn't but it does), which tips the scales in favor of the veteran actress.

  • Sally Hawkins, The Shape of Water: Excellent performance, but she won't win. She just won't.
  • Frances McDormand, Three Billboards: She will win. I don't think it's even a question.
  • Margot Robbie, I, Tonya: Robbie actually had my favorite performance of the year
  • Saoirse Ronan, Lady Bird: So, so good. Much better than when she was nominated for Brooklyn.


Best Supporting Actor predicted winner: Sam Rockwell, Three Billboards



  • Woody Harrelson, Three Billboards: Entertaining, but not even the best supporting actor in the movie. They didn't need to nominate both him and Sam Rockwell.
  • Richard Jenkins, The Shape of Water: Without the sane voice (and narration) of Jenkins, this movie could have been an incoherent mess.
  • Christopher Plummer, All the Money in the World: Kevin Spacey really took the momentum out of this movie. I don't see it winning anything.
  • Sam Rockwell, Three Billboards: I don't think it's even going to be close in the voting.


Best Supporting Actress predicted winner: Allison Janney



I think we all know it's going to be a showdown between Laurie Metcalf and Allison Janney, which leaves me completely torn. They both played excellent, complicated mothers in equally excellent, complicated movies. Everyone else in the category needs to be satisfied with just being nominated this year.

  • Mary J. Blige, Mudbound: Yet another movie I didn't get to.
  • Allison Janney, I, Tonya: I don't know why we live in a world where Allison Janey doesn't have an Oscar but we need to remedy that.
  • Lesley Manville, Phantom Thread: I liked her even better than Daniel Day Lewis.
  • Laurie Metcalf, Lady Bird: I loved her. I really loved her. But did I love her more than I loved Allison Janney?


    Best Original Screenplay predicted winner: Get Out




    Obviously these categories are balanced where the Best Picture probably won't also win Best Screenplay so voters can spread the awards around a little, so my picks are based on the assumption that The Shape of Water will win the big one.

    • Get Out: I think it was between Get Out and Lady Bird, but ultimately I think voters will see this as a more creative story.
    • Lady Bird: I've made no secret of my love for this movie. I thought it was absolutely brilliant.
    • Three Billboards Outside Ebbing, Missouri: Popularity is waning for this story and while I think the actors in it will still be recognized, I think McDonough being left off the Best Director nominees was a signal this movie will go empty-handed in this category.


    Best Adapted Screenplay predicted winner: Call Me By Your Name



    • Call Me By Your Name: I think this is a much more sparsely populated category, giving this movie the easy win.
    • The Disaster Artist: Please, God. No.
    • Logan: Apparently I'm the only person in the entire country who wasn't swooning over this movie. It's big news that a superhero movie made it in, but I'm surprised it was this one.
    • Molly's Game: I thought this story was excellently executed, especially given the wacky nature of it. But I am definitely biased when it comes to Aaron Sorkin.
    • Mudbound: Netflix is getting closer and closer to actually winning something. And then, the movie industry is going to change.


      As usual, I only predicted the categories I care about/feel like I can reasonably predict. So with so many movies gone unseen, I can't even begin to touch categories like Visual Effects and Sound Mixing and the like. Make sure to check out the Oscars Page to find my reviews on other Oscar-nominated movies like Beauty and the Beast, Guardians of the Galaxy Vol. 2, and Coco.

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